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Wednesday, 21 July 2021

sarva soubhagya dayaka

 In the fourth enclosure, Śakti is worshiped as the granter of all kinds of prosperity. This level of Śrī Cakra has fourteen trangles. The Goddesses or the forms of Mother in this enclosure are 

  1. Sarva Sankśobhini (agitator of all), 
  2. Sarva Vidravini (slayer or the one who dissolves), 
  3. Sarvākarśini (one who attracts), 
  4. Sarva Ahlādini (one who refreshes), 
  5. Sarva Sammohini (one who mesmerizes), 
  6. Sarva Stambhini (one who immobilizes), 
  7. Sarva Jrumbhini (one who causes growth and expansion), 
  8. Sarva Vāsankari (one who controls all actions), 
  9. Sarva Ranjini (one who pleases), 
  10. Sarva Unmādini (one who intoxicates), 
  11. Sarvārtha sādini (one who fulfills all needs and desires), 
  12. Sarva sampatti purāni (granter of all kinds of prosperity), 
  13. Sarva mantra mayi (one whose forms are all mantras), 
  14. Sarva dvandva kṣayankari (one in who all dualities dissolve into oneness).

Sarva sankshobhana

This āvarana is named SankŚobana because the Mother here is praised as the one who causes agitation, instability, commotion. This enclosure has eight lotus petals, named 

  1. Ananga kusuma, 
  2. Ananga mekhala, 
  3. Ananga Madana, 
  4. Ananga Madanātura, 
  5. Ananga rekha, 
  6. Ananga vegini, 
  7. Ananga ankuṣa and 
  8. Ananga mālini. 
It is Ananga (Cupid or Manmatha), the God of love, who agitates creatures in these ways.

This is the enclosure of mind.

 https://www.google.com/search?q=Sarva+sankshobhana

Sarvasa Paripuraka

 This āvarana is called so, because at this level every desire of the devotee is fulfilled. This level of Śrī Cakra has sixteen lotus petals. Correspondingly as this enclosure belongs to desire and their fulfillment, the Mother is praised as the one who attracts through the primal natural tendencies. The sixteen forms of desire are enumerated here. Praising the Mother as ākarṣini (one who attracts). This is where the effect of the Mother Māya is seen, as She attracts the beings with desire – making them bound with their senses, and other faculties. The sixteen forms are 

  1. Kāma (desire in general, but specifically sexual), 
  2. Buddhi (intellect), 
  3. Ahankāra (ego), 
  4. Śabda (sound – hearing), 
  5. Sparṣa (touch), 
  6. Rūpa (form – vision), 
  7. Rasa (feel), 
  8. Gandha (odor), 
  9. Citta (impression), 
  10. Dhairya (courage), 
  11. Smriti (memory), 
  12. Nāma (name), 
  13. Bīja (seed), 
  14. ātma (self), 
  15. Amrita (immortality), 
  16. Sharīra (body).

Desire is the primary obstacle in detachment and liberation of being. While the smārta way is to transcend desire, the Śāktā way is to fulfill it and consecrate it as a form of worship. Thus, fulfillment of desire is seen not only not negatively but rather positively in Śāktā.

https://www.google.com/search?q=Sarvasa+Paripuraka

Trailokya Mohana

 This is the outermost enclosure and has three concentric squares, with four gates on four sides. It is called so because most of the apparently mystic powers can be got here. It is said that even the Gods stop here without proceeding inwards, because their desires are fulfilled by the powers achieved at this level.

The three lines represent 

  1. ten Mudra, 
  2. Matrika and 
  3. Siddhis (mystical powers).

Mudrās are gestures, positions of fingers and hands, which are used for expressing various experiences. In case of worship, they are used as part of worship, to invoke certain experiences. The Mother is called dasa mudra samārādhya in Lalita Sahasra nāma, meaning She is worshiped through ten mudrās. They are 

  1. Sarva Sankśobhini, 
  2. Sarva Vidrāvini, 
  3. Sarvaākarśini, 
  4. Sarva Vāsankari, 
  5. Sarva Unmādini, 
  6. Sarva Mahānkuśa, 
  7. Sarva Kecāri, 
  8. Sarva Bīja, 
  9. Sarva Yoni and 
  10. Sarva Trikhanda.

Matrikas are the seven primordial forms of the Mother, from which all the sound forms originate. They are 

  1. Brāhmi, 
  2. Vaiṣnavi, 
  3. Maheṣvari, 
  4. Aindri, 
  5. Kaumāri, 
  6. Vārāhi and 
  7. Cāmundi.

There are ten mystical powers of the Mother which are personified as Goddesses. They are 

  1. Anima, 
  2. Laghima, 
  3. Mahima, 
  4. Isitva, 
  5. Vasitva, 
  6. Prakamya, 
  7. Bhukti, 
  8. Iccha, 
  9. Prāpti and 
  10. Sarva kāma siddhis. 
They include small powers like victory over hunger and sleep, to great ones like getting every wish granted, knowing things far off in distance and time.

This enclosure is also called bhupura or earthly (physical).

https://www.google.com/search?q=Trilokya+Mohana

Geometry

 ŚrīCakra is worshiped as the Mother Herself. In ŚrīVidyā, there is usually no other idol worshiped other than ŚrīCakra. Even if an idol is worshiped, ŚrīCakra is worshiped along with idol. All the upacāras or offerings are done to the ŚrīCakra.

The worship of ŚrīCakra is done through Devi Khaḍgamāla (literally garland of swords, indicating energy) hymn, which enumerates the deities in each level. In an elaborate worship of Śrī Cakra, each deity at each level is invoked, worshiped and offered oblations. However in a regular worship, it can be done in a much abridged way and Goddesses at each level are worshiped together.

ŚrīCakra is a model of universe, which represents a Śāktā world view. ŚrīCakra or Śrī Nagara is said to be the abode of the Mother, and She is its ruler. It has nine levels called āvaranās. The nine levels are said to be nine levels in evolution of the seeker, beginning from the outer most to the inner most where the Mother resides. ŚrīVidyā tantra explains the Goddesses at each level (or the epithets or aspects of Mother at each level), the method of worship, and the mystical powers one attains through their worship. In the inner most level called bindu resides the Mother with Lord Kāmeśvara . The various petals or lines and their number in each āvarana signify the number of Goddesses worshiped.

ŚrīCakra is worshiped in two and three dimensional forms. Planar ŚrīCakra is called Bhu prastāra (bhu – earth, meaning flat). Three dimensional ŚrīCakra, where the outer most level is the base and each inner level is in elevation over the outer one, with bindu (the inner most triangle) as the peak, as if forming a cone, is called meru prastāra (meru is a mountain, and the name indicates that the figure is similar to a mountain/cone). In an ardha meru or half meru, some of the nine levels are depicted in the same altitude.

Further, the nine are divided into three levels of three enclosures each. The outer most three comprise śrushti Cakra (the orbit of creation). The next three comprise Sthiti Cakra (the orbit of sustenance). The inner most three comprise Samhāra Cakra (the orbit of dissolution).

The geometry and worship of ŚrīCakra is comprehensive and exhaustive. It explains the entire Śāktā world view, its enumeration of the world, its philosophy and practice. Therefore we can only give a cursory glance at it, because otherwise it would become a book by itself.

The outer most level of ŚrīCakra is square shaped, with three concentric squares and four gates on four sides. The next two levels are lotus petals, with sixteen and eight petals respectively. The next five levels are basically nine triangles drawn into each other, producing a total of forty three. These are seen as five levels of 14, 10, 10, 8, 1 triangles as we move inwards. The inner most or ninth level is bindu or a dot. This is also counted as a triangle, making the total count 44.

In each level, the Mother is described as causing those tendencies that bind beings at that level. If one successfully transcends the binding at one level, that is, when he seeks to proceed further without limiting oneself to the powers he gets at that level, then he will move to an inner level. Though all the levels of ŚrīCakra are worshiped every time, one actually transcends or gets elevated to these levels gradually.

Yoga

 Though Yoga is a very technical subject and its discussion is mostly restricted to teacher-student disciplines, any introduction to Tantra without the mention of Yoga is incomplete.


There are three major forms of Yoga, Mantra yoga, Laya yoga and Kunḍalini yoga. The aim of all the three is the same, though the methods vary slightly. ŚrīVidyā tantra involves all these three forms of yoga and integrates them.


MANTRA YOGA

Sound is produced through contact, vibration and obstruction. This is called āhata. However cosmic hiss if one can hear is eternal and existent. This is called Anāhata. It is not produced by us but only heard. A yogi can hear this. In sādhana one makes the sound oneself (by doing mantra japa), in a rhythm, resonant with the vibrations of his nādis and his breath. Through this one will be able to discover the deeper vibration. This way of merging individual with cosmic is called mantra yoga.


Mantra is said to be the sound-form of Devata (god-form). One realizes Devata through the chanting of mantra in mantra yoga. Mantra yoga concentrates on nada (sound) to strike rhythm between individual and cosmic vibration, to activate the right nādis, to expose one into the cidākāsa or daharākāsa (causal space). Śabda (sound) is the tanmatra (subtle attribute) of mahābhuta (primal element) ākasa (space). And through śabda one tries to turn his vision inwards from ākasa to daharākāsa, through chanting the mantra, by producing sound to slowly listening the anāhata sound without producing it. Eventually when mantra yoga is achieved, one achieves laya yoga also, since his consciousness is directed to daharākāsa where his devata resides.


Pancadāsi, the root mantra of ŚrīVidyā is said to be the sound-form of the Mother. The mantra is divided into three kūtas or parts with five syllables each. The first is called Vāgbhava Kuta, the Mother’s head. The second is called Madhya Kūta, the trunk – from neck to navel. The third is Śakti Kūta, the part below navel.


Saraswati Sūkta of the Rigveda says that Vāk or word is of four forms – parā (eternal), pasyanti (experienced by seer in a state of deep consciousness), madhyama (when it translates as idea in the intellect) and vaikhāri (when it is verbally expressed). Realizing parā Vāk or Nāda Brahman through a regulated chanting of mantra, first externally then mentally and then finally without producing it, is mantra yoga.


LAYA YOGA

Meditation is the means in laya yoga. One controls mind through the control of breath, so that full concentration is possible in meditation. Through meditation, one’s consciousness merges in the object of meditation and one realizes Atman. The state, in which the difference between the one who meditates the act of meditation and the object of meditation dissolves, is called samādhi or sāyujya.


One also observes during meditation one’s own being, the different sheaths of consciousness. There are five kosas or sheaths of consciousness of being – annaMāya (physical), prānaMāya (vital-life), manoMāya (mental), vijnānaMāya (intellect-knowledge) and ānandaMāya (causal – blissful). The first is gross, next three constitute subtle and the fifth causal being. The causal being is Īśvara who resides in all beings, along with Māya His consort. She veils the unmanifest form of the divine, Brahman. The Mother is MahāMāya, who covers the world with veil of ignorance and lifts the veil out of grace, causing the entire play of creation. This is the cosmic sport She does for the Lord, Her līla. Her play, action can be seen in karanākāsa the causal space. She is the moon of that space, and is called Cidākāsa candrika.


Gross (sthula), subtle (sūkshma), causal (kārana) and absolute (turiya) are the four states in which Brāhman manifests. Realizing eternal through meditation is laya yoga. In Laya yoga one, through meditation, identifies himself progressively with the inner sheaths, and finally with the inner most being – ātman. The Mother is said to reside in and beyond the five sheaths – Panca kosāntara sthita. Thus the seeker achieves oneness with the Mother through laya yoga.


KUNDALINI YOGA

In Kunḍalini yoga, one realizes divine consciousness through the activation of the hidden energy of Kunḍalini. There are six centers (cakras) in the spinal channel. Kunḍalini is said to be initially coiled up at mulādhara. She is the Mother. She passes through these six from mulādhara at the bottom of spine to ajna at the forehead, then to the crown of the head (sahasrāra) where individual consciousness fully unites with cosmic consciousness. There, the Mother is said to unite with the Lord. This involves the opening of three knots or granthis in the path, called Brahma granthi, Viṣṇu granthi and Rudra granthi. There is one granthi per two cakras. Mulādhara (pelvic) and swadhisthāna (navel) associate with Brahma granthi, manipura (heart center) and anāhata (midway between neck and solar plexus) associate with Viṣṇu granthi, visuddha (throat) and ajna (center of forehead) associate with Rudra granthi. These three are the triputi discussed above.


The worship of ŚrīCakra with nine levels is also a means to this in ŚrīVidyā. Kunḍalini is said to be completely activated, with the Mother uniting with the Lord at Sahasrāra, when the devotee reaches the bindu of ŚrīCakra.


The union of Mother Kunḍalini with the Lord is the liberation of seeker from Māya. This is possible with anugraha or grace as discussed above, and completes the cycle of births. This is the same as realizing Nada Brahman in mantra yoga, and sāyujya of laya yoga.


https://www.google.com/search?q=tripura+Sundari+yoga&oq=tripura+Sundari+yoga

level

 


sathi

 https://www.google.com/search?q=trisathi

Tuesday, 20 July 2021

Languages

 The Tripura Sundari Moola Mantra in Hindi :

ॐ ऐम् क्लीम् सौ
सौ क्लीम् ऐम्
ऐम् क्लीम् सौ

 

The Tripura Sundari Moola Mantra in Kannada :

ಓಂ ಐಮ್ ಕ್ಲಿಂ ಸೌ
ಸೌ ಕ್ಲಿಂ ಐಮ್
ಐಮ್ ಕ್ಲಿಂ ಸೌ

 

The Tripura Sundari Moola Mantra in Tamil :

ஓம் ஐம் க்லீம் ஸௌ
ஸௌ க்லீம் ஐம்
ஐம் க்லீம் ஸௌ

 

The Tripura Sundari Moola Mantra in Telugu :

ఓం ఐం క్లీం సౌ
సౌ క్లీం ఐం
ఐం క్లీం సౌ

 

The Tripura Sundari Moola Mantra in Roman Transliteration :

Ōṁ aiṁ klīṁ sau
sau klīṁ aiṁ
aiṁ klīṁ sau

Best

 

Best Days To Chant Tripura Sundari Moola Mantra

If you are unable to chant the mantra on a daily basis, you may chant it on Tuesdays and Fridays. Apart from that, Ashtami tithi, Navami tithi, and Full Moon Day also known as Purnima (Pournami) are also considered days auspicious to worship Goddess Tripura Sundari.

 

Best Day To Initiate The Tripura Sundari Moola Mantra

The best days to initiate the mantra are either on a Shukla Paksha Friday or on a Full Moon Day (Purnima / Pournami).

 

Best Time To Chant The Moola Mantra Of Tripura Sundari

The mantra should be recited during Brahma Muhurta. Apart from that, Chandra Hora is also considered auspicious to pray to Goddess Tripura Sundari.

https://www.google.com/search?q=Tripura+Sundari+Moola+Mantra

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